V\H\S Page #2

Synopsis: A POV, found footage horror film from the perspective of America's top genre filmmakers. A group of misfits are hired by an unknown third party to burglarize a desolate house in the countryside and acquire a rare tape. Upon searching the house, the guys are confronted with a dead body, a hub of old televisions and an endless supply of cryptic footage, each video stranger than the last.
 
IMDB:
5.8
Metacritic:
55
Rotten Tomatoes:
55%
R
Year:
2012
116 min
$68,296
Website
864 Views


Before?

I like you.

Oh, okay.

Jesus. F***.

What the f*** are you doing?

What's up, guys?

I'm leaving.

Sir-!

It's over.

I need you to leave, sir.

Whatever.

Get going.

Okay, I'm going, I'm going.

I'm f***in' going.

Tube tops are f***in' stupid.

Aw, you bein' a b*tch!

Aw, sh*t, all right,

be cool, be cool.

Hey, lady, how you doin'?

You all right?

So, you found a buddy?

You comin' back with us?

What are you doing sitting

on the f***ing ground?

You look f***in' stupid.

Dude! Cleared out quick!

All right, so you

guys are good to go.

She's a f***in' trip, huh?

Which one of you

chuckleheads is driving?

Holy sh*t!

I'm coming down a little bit!

I need to take it up

a f***in' notch!

# Takin' it up a notch,

takin' it up a notch #

She is on some

f***in' drugs, dude!

Look at her eyes.

You can't even look at her.

She's gon' suck yo' dick off!

No, what's that?

This is the notch, my dear.

The notch.

Oh, no!

- Take it up your snosh!

- Oh, no, this-!

Don't do it!

Dude, she doesn't

want to, all right?

Fine! She's a grown-ass

f***in' woman!

I don't think

she ought to do it.

Grown-ass woman.

All you've got to do

is cover up

this little guy here

and take a sniff.

Ay-yi-ya-ya!

Ooh!

You don't

gotta trick her, man!

What do you mean?

I'm not-

I'm not tricking anyone, dude!

Yeah! You're not f***in'

trickin' anybody!

There's a bunch of

grown-ass adults in here!

You know what?

We are grown-ups.

We're two f***ing

grown-ass women,

adults who crawled out of a

bar and got into your car.

Stop it.

All right, all right.

We did it 'cause

we f***in' wanted to.

You're not in charge, you dick.

Hey! Watch with the-

the heavy-handedness!

Heavy-handedness!

Sassy!

I don't know nothin'

'bout birthin' no babies.

Come on, y'all, let's go.

What the f***?

I got the key.

I got the key.

Jesus Christ. You're

doing it wrong, man.

Just go. Come on,

come on, come on.

It's blinkin'.

Do it. Go in.

Oh, what is that?

It's...

Like you're on fire!

Whatever!

What's up, my negro?

Hey.

After you.

You've reached the- the

freshness threshold.

Get beyond that...

You are such a dork!

I need- I need

to take a shower, dude.

What?

Hey... Are you okay?

Okay.

Ohh!

Yeah, dude!

I guess they

like each other.

I like you.

Dude,

what's up, man?

I'm just f***in' sittin'

on the couch, dude!

Jesus!

I mean...

Oh, my God.

What are you, like a

f***in' cat or something?

Oh, Christ.

Okay. We're cool,

we're cool, we're cool.

This is cool.

This is weird.

Do you want to go?

Do you want to go?

Do you understand?

Yeah, let's go.

F***in' garter belt's

gonna be tough.

They're even tougher when

the girl's passed out, man.

You shouldn't... What?

She's done, dude, she's done.

Don't do it. Stop now.

Hey. Hey, hey, hey.

Hey.

Yeah, totally out, man.

Yeah. Unresponsive right there.

- Leave it alone.

- Wake up. Come on.

Dude, she's passed out.

Statutory, dude.

Whatever! Don't

snap at me, a**hole!

Hey, come on.

Come on, wake up.

It's cool.

She's had a lot to drink.

# But now she's asleep #

Come on!

Dude, chill out.

Shut the f*** up!

Hey, whoa.

Whoa, hey, man, it's cool, man.

Hey, it's cool, man.

F***ing wack!

Hey, chill

dude, it's cool!

Whatever.

Hey, is everything cool?

Yeah, everything's cool.

Everything's f***ing cool. Yeah, whatever.

- We're cool.

- Jesus Christ.

Hey, we doin' this

or what, huh?

Doing what? I

don't- hey, are you okay?

You okay?

You doin' all right?

F***, man!

You're beautiful.

I like your face.

Sh*t, man,

shut the f*** up.

Clint,

what are you doing?

Get over here.

Get this sh*t.

Ohh! Oh, sh*t!

This is crazy!

Hey. Hey, come here.

Get this sh*t, dude.

Wait,

hold on, Shane.

Hey, hold on, look at this.

Shane, come on, man.

F***! Dude!

No!

Hold on, guys.

Hold on.

Hold on, I-I've got

to get outta here.

Wow.

You could have got her, man.

What? Sh*t!

Sorry, Clint!

- That girl just f***in' bit me.

Dude, what?

Oh, f***! She really

just f***in' bit me!

- Jesus Christ!

- Shane, she f***in' bit him, man!

No means no, a**hole!

- No, no, just stop.

- She's not into him.

No, just stop, dude.

Just stop, man.

Don't touch her.

What's your f***in' problem?

I wasn't gonna- rrraaaaahhhhh!

Get the f***

off of me! Sh*t!

What the f***?

What the f***?

What the f***?

What the f*** is that?

What the f*** is that-?

Patrick, shut up!

Open the door!

What the f*** is going on?

What the f*** is that?

What is going on?

What did you see out there?

Shane is dead!

I don't know!

Shane's dead? Shane's dead?

Shane's f***ing dead?

I don't know!

I don't know!

F***! Sh*t!

What the f***?

God damn it!

What did you see?

What did you f***in' see?

What did you f***ing see?

- He's dead.

- He's dead?

He's dead.

He's dead.

He's- what do we do?

Patrick, what do we do?

Patrick!

What do we do, man?

What do we do?

Come on.

Patrick. Patrick.

Where are you going?

Patrick, what are you doing?

Oh, sh*t!

What is it?

What is it?

Patrick!

What do we do, man?

Hey, where you going?

Lisa!

Lisa, wake up!

- Hey.

- Oh, sh*t.

Patrick, wait!

Wake up! Wake up!

Lisa, wake the f*** up!

Come on!

Patrick, what are you doing?

Wake up!

Oh, sh*t!

Get off me!

Get off of me!

Get off of me!

Ohh! Oh, God!

I like you.

No like?

I'm sorry.

Please! Please!

Help! Help! Help!

Please let me in!

Please!

Please let me in!

Please!

Let me in!

Oh, God! Help me, please!

Get me out of here! Please!

Dude...

Couldn't find it.

Brad.

Brad.

The f***-?

What the f***?

It's not filming.

I mean... yeah...

Then what's this

f***ing red light?

I mean, it's

a camera, but-

Well, looks like we've

found all this guy's sh*t.

Yeah, there's a ton

of sh*t in here.

All right, you go that way.

- I'm gonna go over here.

- All right.

Found it!

You got it?

Yeah, yeah.

All right,

let me get over there.

Which one is it?

I don't know, man.

He said we'd f***ing

know, but I don't,

so... uh... Get a bag,

and let's just take

all this sh*t up to the car.

All right, let me-

let me find something.

We're just gon' take all of it?

Yeah, take all of it.

F***.

Okay, this crate.

This crate right here.

Oh, sh*t. Okay.

This bag is better.

Okay.

Sh*t!

Ah, sh*t! Gary!

- Gary! Gary!

- What?

There's a f***in'

man down here!

Shut the- dude, I'm

f***in' dead serious.

Do you want me to replay this?

No.

Here. Take this f***in' backpack.

Here's a f***in' crate.

Let's just f***in' go.

There's not a man down here.

Man... Mmmm...

I just saw- look.

Right. I'm telling you,

he just crawled back there.

Hey, dude,

there's nothing there.

You're tripping.

That's what trippers do.

I don't blame you.

But, like-

I mean, it's a good

job at that,

but you didn't see an

old f***er or whatever.

Let's just hurry up

and get this sh*t and go.

Oh. Um... okay.

Hi.

This is... uh...

We're going on a road trip.

Sam and I are going

on a road trip,

and I'm gonna be recording

Rate this script:0.0 / 0 votes

Brad Miska

Brad Miska is an American film producer and founder of Bloody Disgusting, a horror genre website known for covering horror films, video games, comics, and music. His films include the V/H/S trilogy of anthology horror films, Under The Bed, A Horrible Way to Die and Southbound. more…

All Brad Miska scripts | Brad Miska Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "V\H\S" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/v\h\s_22676>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "script doctor"?
    A A writer who creates original scripts
    B A writer who directs the film
    C A writer hired to revise or rewrite parts of a screenplay
    D A writer who edits the final cut